Logo Process – Smashing Network Badge Development

smashing-network-logo

I was humbled and delighted when Vitaly Friedman from Smashing Magazine approached me to come up with a new logo/badge for their new Smashing Network. Chalk another one up for the logo design porfolio.

I’ll be honest and say I was initially a little dumbstruck when Vitaly approached me, Smashing Magazine is known and loved by pretty much everyone on Earth. So like, no pressure dude. Yeah, really.

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smashing-network-final-badge

The Brief

It would be fair to say, I asked ‘many’ questions. So as well as asking Vitaly to fill in my online logo request form, we then proceeded to correspond via email. It was crucial to get on the exact wavelength and to ask questions that might not have initially seemed relevant.

  • What image did Smashing Network need to portray?
  • How close, visually, should the new Smashing Network logo be to the main Smashing Magazine logo?
  • Could it have it’s own unique personality?
  • Should it be identical in style to the existing brand, as much as is humanly possible?
  • Could we take a whole new visual approach, creating a totally unique Smashing Network brand?

Some of these question may seem a no brainer, but they are still important to ask and to clarify the answer, as obvious as it may be. The client may surprise you with bucking the trend so to speak, or feel like ‘going for it’.

As tempting as it was to go mad with a brand new idea or concept, I personally felt that the Smashing Network logo should be as close to the original brand as possible. Vitaly confirmed that the Smashing Magazine brand is crucial and that any new logo should be based on the existing Smashing Magazine brand, look and feel.

The new logo needed to inherit the existing look.

Stage One

With the brand boundaries established, I could move onto getting my fingers dirty. The first step was to create the main logo, this basically required a change of tag line only. So as you can see below, we kept the main logo and just adjusted the wording from ‘magazine’ to ‘network’.

smashing-wording

At this stage I did offer up some alternative font styles for the ‘network’ wording, but after seeing them, Vitaly was sure that the font should be the same as the original logo.

As a designer, you still fight the urge to want to ‘play’, to show the client alternatives and variations, by doing this, it was easier to see that the best way for the brand was to keep the font the same.

But it was not an instant result to get this far, I did explore alternative fonts and subtle variations in style. So on the surface, it looks like easy peasy, knocked out in 5mins. Hindsight is great, but not always applicable. So I guess with some backward and forward shuffles, it took a few days for us to decided that the tag line should be in the original font. Job done.

Stage 2

Stage 2 did take some time to come to fruition. Once again, my personal desire to show ‘imaginative’ and ‘pretty’ logomarks surfaced.

smashing-logomark

In the end, I came full circle. Kudos to Vitaly to sticking to his guns all the way through the process, one client who knew exactly what was needed.

After spending some time exploring other type of logomarks, random and visually similar, we opted for the ‘G’ used in the Smashing wording. This is a recognisable mark, and creates a strong visual connection to the main Smashing brand.

I made just a few subtle changes here, you can see that I have slightly thickened it up and rotated it anti-clockwise ever so slightly. This ensures that the far right part of the ‘arrow’ has a perfect straight edge, opposed to the slightly off vertical edge in the original. I did this so that the wording, when left aligned with the ‘G’ would sit flush, rather than having an awkward gap. The original on the left, and the revised ‘network’ version on the right.

With the logotype and logomark sorted, we now had to find a practical way to put these together.

Stage 3

I bombarded Vitaly with yet more questions, thoughts and various practical considerations about the intended use of the logo/badge. It’s worth noting here that this not really a logo, but more a ‘badge’. The Smashing Network Badge so to speak. The rules of engagement had to be looked at slightly differently here.

smashing-network-black-container

Members of the Smashing Network would have to place this badge on their website. Website owners give much love, care, attention and time ensuring their own design works and performs both visually and practically. Being asked to place any other graphic, logo or badge can cause some perfectionists to balk at having something ‘foreign’ on their perfectly crafted website. Conversely, some website or blog owners ‘collect’ badges like they are going out of fashion, so we needed to create a badge that hopefully worked for the ‘majority’.

The badge needed to look ‘nice’, be practical and serve the function of being a badge of honour so to speak. Being part of the Smashing Network is a privilege.

So to keep things ‘real’, I looked at many other types of ‘badges’, one that springs to mind is the 9Rules logo of course. The logo itself is just gorgeousness realised, but it’s also a badge of honour that people wear with pride on their sites. People ‘want’ to have that badge, it’s not a ‘handicap’.

So armed with the knowledge of both website design perfectionists and vice-versa, I came up with the badge container shape you see above. It’s not a predictable straight edged badge, neither is it totally free floating, but it is a combination of structure and variety. Following the contours of the logomark and the logotype, creates a snug looking badge.

Stage 5

After coming up with an initial design, I asked Vitaly to field the idea to the members of the Smashing Network at the time, to gauge some feedback and to see if there were any issues or specific style requirments to take into consideration.

Feedback was positive, with no significant changes, we then created several sizes of the main badge style. Then proceeded to create various colour and tone versions. Again, this was to pre-empty any website owners who have a very specific colour palette going on, on their website.

Some of the websites in the Smashing Network also have their own visual brand to maintain. Offering the badge in both full technical colour, neutral and mono styles ensures everyone is catered for.

Taking the main badge a step further, I then created the ‘G’ logomark on it’s own, to act as a recognisable icon in it’s own right. This can be used to reinforce the main badge, possibly using it as a small badge in a footer or sidebar for instance. But this ’squared’ version is not compulsory, more of a ‘bonus’ badge for those that want to make it very clear they are proud members of the Smashing Network.

The final image files had to be flexible, so all are workable as transparent PNG’s. So no fancy drop shadows or background vignettes here. Clean and crisp edges all the way.

It was important to offer varieties of badge size and colour, whilst retaining the original visual brand identity.

smashing-network-logo-reversed



And breathe...

Article Posted On: November 24, 2009 by

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  • great work mann....!
  • Hello

    I'm Vietnamese

    love your design
  • sarit hernandez
    I like your work and read about the thinking behind the design. Looking forward for more case studies from you. Good work:)
  • Jason
    Nice work Graham..I thought the design on brief and very well executed..

    Great client as well, must've been a pleasure to work with..keep up the good work mate.

    PS. I read your post here:-

    http://37signals.com/svn/posts/1253-the-nospec-...

    I thought you had great thoughts on that .
  • Really great work. It reminds me of designs my buddies have done.

    Swap it! Encrypt it! | Transfer files - Send large files
    www.swapitencryptit.com
  • love your designs
  • Great work. I was just wondering few days ago who was the author of the Smashing Magazine logo.. Well well. well done Graham!
  • So awesome dude!
  • Great logo work here. Very well considered and I appreciate the amount of depth share here with regards to the process. Really enjoy your site. Great work on here.
  • Jose Palacios
    Sometimes the most effectively simple design is thought to be a no-brainer and under-thought. Sure, by looking at a logo you tend to think that if you can recreate it in 10min then it must have taken 10 minutes to come up with the concept. The truth is, just like a carpenter in his trade, hammering a nail is easy and anyone can do it. Knowing where to place the nail and why is the key, and not obvious to the untrained. There are many careful calculations made beforehand by a carpenter to make something simple. Just like there are many thoughts processed in the making of a seemingly simple logo design.
  • Congrats on the job, but i have to disagree with other comments in regards of how creative the solution is.

    It looks good, it does, but i don't really think there was a lot of thinking put into it (at least not enough to make this a case study :P) . It's pretty much a simple badge with a minor retouch on the original logo and some text change.

    I'm not trying to put down your work, it's just that i don't understand all the fuzz and praise on the comments above, that's all.
  • Hmmmm. Not much thinking required? Interesting but inaccurate comment. It's unwise to make a comment like that when you have not been party to the client/designer discussions and seeing the design brief.

    To make a comment such as yours just demonstrates a lack of understanding in the design process. Fair enough if you 'had' seen the brief and be party to all the correspondence detailing the specific needs of the client. You would be better informed to make the comment you just did.

    Just because things on the surface don't appear complex or tricky, this does not mean you can just 'simplify' things based on your limited understanding of the project.

    Next time you see a logo design process, give some more thought to what goes on behind the scenes between a designer and client. A designer who had that level of experience would be unwise to make the kind of comment you did. It just demonstrates a woeful lack of experience on your behalf.

    I am happy for people to leave constructive comments, even destructive comments, but I will reply often in kind. :)
  • Nice work Graham. Its great to see the whole process. I think its great to see a designer taking his time and explaining the whole process and doing it right. It also sounds like there was great communication with the client throughout. Nice post
  • Sweet! And can I just say, I love the blog you've got here. I'll definitely be back to check your updates :)
  • Awesome look into your "head" and your process's. Great insight once again!
    Thanks and great job on the redesign.
  • Awesome man
  • Great work
  • ishmeme
    I often find interesting the way we conceive of art--specifically the assumptions we make about the artist's process when not privy to the actual steps (I am of course making a broad, sweeping generalization--but go with me for a second.)

    For example, looking at Van Gogh's "Sunflowers" one could pontificate that Van Gogh styled them as he did to express something about the flowers' color; shape; composition in the vase; personal significance the flowers represented; light/color contrast to surrounding objects; or even the "essence" of the flowers themselves. Alternatively, one could merely chalk his work up to another still life, and yet the enigma and historical popularity of that particular painting renders it one of the most reproduced.

    However, as a fledgling freelance designer myself (with an affinity for process in general), it at least for me imbues the final product with even more meaning when I can see the process that drove the end product's arising. In this case: great work! And thank you for giving value to process; for demonstrating that great design is not conceived of by reclusive genius, ex nihilo, but by the the sometimes hard, oft seemingly-mundane and instead elegantly simple and brilliant work of creative designers.

    Best regards, and keep doing what you're doing!
  • Wow. What a lovely comment to get. I appreciate your thoughts and interpretations here. Thank you... :)
  • Awesome job Graham! I really appreciate the time it took you to detail that out but feel for Smashing Mag its probably worth it. Haha
    "like no pressure dude, really"
    I think you came up with a great solution and squaring up the G was subtle but will make a huge difference on the gap when aligned. Cheers for a good mark, good client & good writeup.
  • Totally awesome work, Graham, and the way you've shown the process is as inspiring as the work itself. Congrats!
  • Appreciate your kind words as always... twas a interesting project to walk on.

    The trick will be to see how it looks in general on all the sites over time.
  • I really like it in black. Looks great!
  • The black version was actually more of an afterthought, was not part of the initial idea, but it seemed to look good and is more of a 'bonus' style... :)
  • Excellent! What an honor to be chosen to work with such a great organization!

    You. Continue. To. Rock.

    Well done!
  • Thanks for the comment :)
  • very nice.. kinda remind me of the Burton logo: http://www.propeaksports.com/PPSWinter/pictures...
  • Awesome work, well done!
  • Cheers Mark... :)
  • simbel
    I instantly liked that badge when I saw it on SM; great job. Thanks for an insight in the design process! Great to see how even slight details are carefully thouht over and taken care of, and the writeup was also nice to read.
  • I think it has changed only a little bit since that initial post you probably saw it in. That was the 'fielded' version, but was tweaked since then...

    :)
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